Galya Popova was born in 1978 in Moscow , Russia. Lives and works in Bonn, Germany.
Background
- Graduated from Moscow Academic Art School “In memory of 1905” in 1998.
- Graduated from Moscow State University of Service (faculty “Costume design”) in 2005.
Since 2004 – work as the artist – illustrator with several publishing houses
2005-2008 – cooperation with Theatre of Dance of Natalia Shirokova. As the costume artist designed performances «Departure of the puppeteer», «Doors wide open», «Nimpheya»
Since 2007- freelance artist.
Member of the International Art Fund and BBK Bonn.
The artworks are in private collections in Russia, USA, Italy, Denmark, Netherlands, Ukraine, Germany, Portugal, Serbia, England, Bulgaria, Arab Emirates and other countries.
Galleries, where you can find Galya Popova´s art : Gallery “IROK”(Netherland), Gallery “VÁrt space” (Malaysia), Gallery “Maznel” (France), Gallery “XPower” (Taiwan)
Facebook: https://www.facebook.com/artgalyapopova
Instagram: https://www.instagram.com/galyapopovaprint/
I like to create painting with a story behind. To give a deepness and volume to it. My painting is like a shot from a movie, which has beginning and prolongation. Memories of my soviet childhood, everyday situations, nature, people and books inspire me. I like when people find in my art something personal, what touches them emotionally and evoke certain memories.
Illustration for „Within us” by Marco Grosse
Illustration for „Quid est veritas” by Marco Grosse
Illustration for „On earth” by Marco Grosse
Illustration for „Voices” by Marco Grosse
Illustration for „Extraordinary” by Marco Grosse
Illustration for „The elephant path” by Marco Grosse
Illustration for „Arid soul” by Marco Grosse
Illustration for „There is only” by Marco Grosse
Illustration for „The thickness of air” by Marco Grosse
Illustration for „We came back” by Marco Grosse
Illustration for „Our eyes” by Marco Grosse
Illustration for „I didn’t imagine” by Marco Grosse
Illustration for „The teacher” by Marco Grosse
Illustration for „Chemtrail” by Marco Grosse
Illustration for „The need” by Marco Grosse
Illustration for „Homeland” by Marco Grosse
Illustration for „Those days when we shot polaroids” by Marco Grosse
Illustration for „Analog world” by Marco Grosse
Illustration for „Brodsky sang a song” by Marco Grosse
Illustration for „Changing” by Marco Grosse
Illustration for „Our favourite light” by Marco Grosse
Illustration for „The feeling of embracement” by Marco Grosse
Illustration for „The dogs of Bucharest” by Marco Grosse
Illustration for „Light falls on Sofia” by Marco Grosse
Illustration for „Last day of summer” by Marco Grosse
Illustration for „The baby carriage” by Marco Grosse
Illsutration for „The baby carriage” by Marco Grosse
Călin-Andrei Mihăilescu: „Am dăruit adesea «Fuga în sud» de Sławomir Mrożek și «Infinite Jest» de David Foster Wallace”
Raul Popescu: „În fiecare an, recitesc maniacal «Ghepardul» de Lampedusa”
„Insula de apoi” (fragment) de Vlad Zografi
„Vizite neanunțate” (fragment) de Iulian Popa
„Nostalgia. Povestea unei emoții periculoase” (fragment) de Agnes Arnold-Forster
„Îndoiala. O explorare în psihologie” (fragment) de Geoffrey Beatie
O lume în schimbare…
„Panta animală” de Jean-Christophe Bailly
„A te cufunda în caleidoscoape” de Philippe Delerm
When the Crawdads Start Singing…
Alina Gherasim: „Amos Oz și Haruki Murakami sunt doi autori pe care-i citesc cu mare atenție”
Bogdan Perțache: „Piesele lui Shakespeare mi-au deschis ochii către lumea renascentistă și sufletul către teatru”
„Cânturile lui Maldoror” (fragment) de Lautréamont
Călătorind prin literatură
Ioana Văcărescu: „Am avut o mare pasiune pentru «David Copperfield» în copilărie”
Adrian Lesenciuc: „Cel mai mult m-a influențat «Cartea de nisip» a lui Borges, în care am găsit infinitul”
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